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'Mank,' 'Minari' top film nominations for 26th annual Critics Choice Awards

The Critics Choice Association (CCA) has just announced its film nominees for the 26th annual Critics Choice Awards. Winners will be revealed live from 7-10 p.m. (ET/PT) Sunday, March 7, on the CW Network, with film, TV and stage star Taye Diggs returning to host for a third consecutive year.

This year’s film nominees are led by Netflix’s “Mank,” which earned an impressive 12 nominations including Best Picture, and “Minari” with 10.  

 

“What a year it has been for film!  We are honored to have the opportunity to recognize the tireless work of so many who overcame unprecedented obstacles to deliver these beautiful, challenging, nuanced pieces of art to our screens,” said Critics Choice Association CEO Joey Berlin. “The stories told by this year’s nominees will continue to resonate and we congratulate each and every one of them for their extraordinary accomplishments.”  

     

FILM NOMINATIONS FOR THE 26TH ANNUAL CRITICS CHOICE AWARDS  


BEST PICTURE  

Da 5 Bloods (Netflix)

Ma Rainey’s Black Bottom (Netflix)  

Mank (Netflix)  

Minari (A24)  

News of the World (Universal Pictures)  

Nomadland (Searchlight Pictures)  

One Night in Miami (Amazon Studios)  

Promising Young Woman (Focus Features)  

Sound of Metal (Amazon Studios)  

The Trial of the Chicago 7 (Netflix)  

 

BEST ACTOR  

Ben Affleck – The Way Back (Warner Bros.)  

Riz Ahmed – Sound of Metal (Amazon Studios)  

Chadwick Boseman – Ma Rainey’s Black Bottom (Netflix)  

Tom Hanks – News of the World (Universal Pictures)  

Anthony Hopkins – The Father (Sony Pictures Classics)  

Delroy Lindo – Da 5 Bloods (Netflix)  

Gary Oldman – Mank (Netflix)  

Steven Yeun – Minari (A24)  

 

BEST ACTRESS  

Viola Davis – Ma Rainey’s Black Bottom (Netflix)  

Andra Day – The United States vs. Billie Holiday (Hulu)  

Sidney Flanigan – Never Rarely Sometimes Always (Focus Features)  

Vanessa Kirby – Pieces of a Woman (Netflix)  

Frances McDormand – Nomadland (Searchlight Pictures)  

Carey Mulligan – Promising Young Woman (Focus Features)  

Zendaya – Malcolm & Marie (Netflix)  

 

BEST SUPPORTING ACTOR  

Chadwick Boseman – Da 5 Bloods (Netflix)  

Sacha Baron Cohen – The Trial of the Chicago 7 (Netflix)  

Daniel Kaluuya – Judas and the Black Messiah (Warner Bros.)  

Bill Murray – On the Rocks (A24/Apple TV+)  

Leslie Odom, Jr. – One Night in Miami (Amazon Studios)  

Paul Raci – Sound of Metal (Amazon Studios)  

 

BEST SUPPORTING ACTRESS  

Maria Bakalova – Borat Subsequent Moviefilm (Amazon Studios)  

Ellen Burstyn – Pieces of a Woman (Netflix)  

Glenn Close – Hillbilly Elegy (Netflix)  

Olivia Colman – The Father (Sony Pictures Classics)  

Amanda Seyfried – Mank (Netflix)  

Yuh-Jung Youn – Minari (A24)  

 

BEST YOUNG ACTOR/ACTRESS  

Ryder Allen – Palmer (Apple TV+)  

Ibrahima Gueye – The Life Ahead (Netflix)  

Alan Kim – Minari (A24)  

Talia Ryder – Never Rarely Sometimes Always (Focus Features)  

Caoilinn Springall – The Midnight Sky (Netflix)  

Helena Zengel – News of the World (Universal Pictures)  

 

BEST ACTING ENSEMBLE  

Da 5 Bloods (Netflix)  

Judas and the Black Messiah (Warner Bros.)  

Ma Rainey’s Black Bottom (Netflix)  

Minari (A24)  

One Night in Miami (Amazon Studios)  

The Trial of the Chicago 7 (Netflix)  

 

BEST DIRECTOR  

Lee Isaac Chung – Minari (A24)  

Emerald Fennell – Promising Young Woman (Focus Features)  

David Fincher – Mank (Netflix)  

Spike Lee – Da 5 Bloods (Netflix)  

Regina King – One Night in Miami (Amazon Studios)  

Aaron Sorkin – The Trial of the Chicago 7 (Netflix)  

Chloé Zhao – Nomadland (Searchlight Pictures)  

 

BEST ORIGINAL SCREENPLAY  

Lee Isaac Chung – Minari (A24)  

Emerald Fennell – Promising Young Woman (Focus Features)  

Jack Fincher – Mank (Netflix)  

Eliza Hittman – Never Rarely Sometimes Always (Focus Features)  

Darius Marder & Abraham Marder – Sound of Metal (Amazon Studios)  

Aaron Sorkin – The Trial of the Chicago 7 (Netflix)  

 

BEST ADAPTED SCREENPLAY  

Paul Greengrass & Luke Davies – News of the World (Universal Pictures)  

Christopher Hampton and Florian Zeller – The Father (Sony Pictures Classics)  

Kemp Powers – One Night in Miami (Amazon Studios)  

Jon Raymond & Kelly Reichardt – First Cow (A24)  

Ruben Santiago-Hudson – Ma Rainey’s Black Bottom (Netflix)  

Chloé Zhao – Nomadland (Searchlight Pictures)  

 

BEST CINEMATOGRAPHY  

Christopher Blauvelt – First Cow (A24)  

Erik Messerschmidt – Mank (Netflix)  

Lachlan Milne – Minari (A24)  

Joshua James Richards – Nomadland (Searchlight Pictures)  

Newton Thomas Sigel – Da 5 Bloods (Netflix)  

Hoyte Van Hoytema – Tenet (Warner Bros.)  

Dariusz Wolski – News of the World (Universal Pictures)  

 

BEST PRODUCTION DESIGN  

Cristina Casali, Charlotte Dirickx – The Personal History of David Copperfield (Searchlight Pictures)  

David Crank, Elizabeth Keenan – News of the World (Universal Pictures)  

Nathan Crowley, Kathy Lucas – Tenet (Warner Bros.)  

Donald Graham Burt, Jan Pascale – Mank (Netflix)  

Kave Quinn, Stella Fox – Emma (Focus Features)  

Mark Ricker, Karen O’Hara & Diana Stoughton – Ma Rainey’s Black Bottom (Netflix)  

 

BEST EDITING  

Alan Baumgarten – The Trial of the Chicago 7 (Netflix)  

Kirk Baxter – Mank (Netflix)  

Jennifer Lame – Tenet (Warner Bros.)  

Yorgos Lamprinos – The Father (Sony Pictures Classics)  

Mikkel E. G. Nielsen – Sound of Metal (Amazon Studios)  

Chloé Zhao – Nomadland (Searchlight Pictures)  

 

BEST COSTUME DESIGN  

Alexandra Byrne – Emma (Focus Features)  

Bina Daigeler – Mulan (Disney)  

Suzie Harman & Robert Worley – The Personal History of David Copperfield (Searchlight Pictures)  

Ann Roth – Ma Rainey’s Black Bottom (Netflix)  

Nancy Steiner – Promising Young Woman (Focus Features)  

Trish Summerville – Mank (Netflix)  

 

BEST HAIR AND MAKEUP  

Emma (Focus Features)  

Hillbilly Elegy (Netflix)  

Ma Rainey’s Black Bottom (Netflix)  

Mank (Netflix)  

Promising Young Woman (Focus Features)  

The United States vs. Billie Holiday (Hulu)  

 

BEST VISUAL EFFECTS  

Greyhound (Apple TV+)  

The Invisible Man (Universal Pictures)  

Mank (Netflix)  

The Midnight Sky (Netflix)  

Mulan (Disney)  

Tenet (Warner Bros.)  

Wonder Woman 1984 (Warner Bros.)  

 

BEST COMEDY  

Borat Subsequent Movie Film (Amazon Studios)

The Forty-Year-Old Version (Netflix)  

The King of Staten Island (Universal Pictures)  

On the Rocks (A24/Apple TV+)  

Palm Springs (Hulu and NEON)  

The Prom (Netflix)  

 

BEST FOREIGN LANGUAGE FILM  

Another Round (Samuel Goldwyn Films)  

Collective (Magnolia Pictures)  

La Llorona (Shudder)  

The Life Ahead (Netflix)  

Minari (A24)  

Two of Us (Magnolia Pictures)  

 

BEST SONG  

Everybody Cries – The Outpost (Screen Media Films)  

Fight for You – Judas and the Black Messiah (Warner Bros.)  

Husavik (My Home Town) – Eurovision Song Contest: The Story of Fire Saga (Netflix)  

Io sì (Seen) – The Life Ahead (Netflix)  

Speak Now – One Night in Miami (Amazon Studios)  

Tigress & Tweed – The United States vs. Billie Holiday (Hulu)  

 

BEST SCORE  

Alexandre Desplat – The Midnight Sky (Netflix)  

Ludwig Göransson – Tenet (Warner Bros.)  

James Newton Howard – News of the World (Universal Pictures)  

Emile Mosseri – Minari (A24)  

Trent Reznor & Atticus Ross – Mank (Netflix)  

Trent Reznor, Atticus Ross, and Jon Batiste – Soul (Disney)  


The March 7 telecast will continue its combined Film and Television awards format, honoring the finest in both cinematic and televised/streaming achievement. In response to the COVID-19 pandemic, the 26th annual Critics Choice Awards will be an in-person/virtual hybrid, with host Diggs and some of the evening’s presenters filming from a stage in Los Angeles, and nominees appearing remotely from various locations around the world.  


The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics and entertainment reporters. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information and television nominees, visitwww.CriticsChoice.com.